WORK

Marmo is an original song that I composed and produced, available on all streaming platforms. The music video was co-directed and edited by Miranda Arjona and me.

The piece was inspired by the way marble changes over time under pressure. I started thinking about sound in a similar way: something that can slowly take shape, be transformed, and leave traces behind. The saxophone and guitar become part of this process, almost like tools shaping the silence around them.

The track also includes heavily processed, robotic vocals that tell a futuristic love story. They represent the voice of a deceased partner returning in a digital, mechanical form. For me, the piece is about the relationship between organic and synthetic elements—between breath, machines, memory and loss—and about how a connection can continue to exist even after someone is gone.

Directed and shot by Miranda Arjona

Edited by Miranda Arjona and Beatrice Cioni

Music

Composed and produced by Beatrice Cioni

Co-produced by Marta Hernández Clavijo

Performed by

Beatrice Cioni — saxophone, synthesizer & programming

Alejandro Vivero Cruz — bass

Helena Gascón Martínez — piano

Cédric Cazorla — guitar

Rubén Segovia Cobo — mix

Agapemma is an interdisciplinary project that merges visual art with free improvisation to explore the vulnerability and intensity of adolescent love. Based on a hidden poem by L.E. Landi, the music is taken from a free improvisation session at Gràcia Territori Sonor featuring a live dialogue between my alto saxophone and EWI 4000s and Helena Gascón’s keyboards. Using distortion and vertigo effects alongside visuals I shot and edited myself, the piece uses bodily movement and vertical framing to evoke emotional suffocation and passion. Ultimately, adapting this spontaneous live session into a structured video format mirrors the transition from youthful idealization to a mature understanding of intimacy